In this glamorous entertainment industry, who is willing to easily admit that he has grown old? Stars, especially actresses, seem to be playing a never-ending game of hide-and-seek with time. What they pursue is not only the appearance is not old, but also the feeling of everlasting youth.
When it comes to "frozen age", it's a magic word. Imagine that if you can set your appearance at the age of flowering season, it is simply a winner in life. However, although some actresses seem to be skillful at "freezing age" on the surface, they actually seem to hold on to the position of a young girl, even if she is past the age of a girl.
In TV dramas, we can often see such a scene: an actress who is already 30 or 40 years old has to play an innocent girl. The audience was dazzled and muttered to themselves, "are you sure this is a young girl?" But what about these actresses? They seem to be completely immersed in their own world and enjoy it.
Holly is not so polite about this phenomenon. She directly came forward and criticized publicly, saying that actresses who are still stubbornly obsessive about being young girls in their forties are simply fighting for jobs with real girls. As soon as this was said, it immediately caused an uproar.
But then again, the film industry is a bit of an awkward place for middle-aged actresses. Haiqing also has a deep understanding of this. She once spoke out publicly, calling on everyone to give more opportunities to Mesozoic actresses. But the problem is that even if there are few opportunities, it is not an excuse for middle-aged actresses to pretend to be girls.
Yang Zi played the role of a schoolgirl again, Fan Chengcheng's partner aroused heated discussion.
Yang Zi, the "national daughter" in everyone's eyes, has now entered the mature age of 31. However, to her surprise, she still seems to be in the role of "schoolgirl". In the recently broadcast "Love for a long time", she once again challenged her youthful campus love and worked with 23-year-old Fan Chengcheng to perform a childhood story.
This time, however, the audience's reaction was subtle. It's not that Fan Cheng-Cheng is bad, but that these two people are together, and no matter how they look at it, they "can't get up." What's the problem? Maybe we can find some clues from Yang Zi's acting skills and state.
To tell you the truth, Yang Zi's acting skills are not bad in the entertainment industry, but after so many years, we haven't seen any amazing breakthroughs. This time, Fan Cheng-Cheng, who played with her, was young and lively, so the opposite play between them naturally became the focus of the audience's attention.
But the most difficult to accept is Yang Zi's "acting young" in the play. Wearing her school uniform, although the makeup teacher tried to create a youthful atmosphere, the obvious imperial lines and pointed chin could not hide the traces of time.
Coupled with too thick eyebrows and a series of exaggerated facial expressions, Yang Zi's high school student image is "too hard", but makes people feel a little embarrassed.
Of course, Yang Zi is not entirely to blame. After all, the entertainment industry has always been strict about the age of actresses, and there are very few high-quality scripts for mature actresses. In such an environment, Yang Zi may have no choice but to "go against the current" and continue to spin around in the youth drama.
Liu Xiaoqing's "Girl's Dream": selling words in the studio is controversial, when to stop being addicted to pretending to be young.
The pace of the Spring Festival in the year of the Dragon is getting closer and closer, and the excitement of the entertainment industry is not decreasing but increasing. In this case, Liu Xiaoqing also joined the army of live broadcasts, splashing ink in front of the camera and selling his own calligraphy. It's just this price, which costs 3,000 yuan in four words, which makes many netizens shout "robbing money".
But then again, Liu Xiaoqing's way of making money can be more than this. She seemed to be more interested in "acting young" than selling words. In movies and TV dramas, she always likes to challenge girls who are far from her age. Half a year ago, Ice Sniper 2 caused her to fall into a controversial whirlpool.
In the play, Liu Xiaoqing plays a girl in her early twenties, just thinking about it makes people feel somewhat inconsistent. Although her fur shape is indeed domineering and capable, but in a twinkling of an eye to the marriage drama, that wearing a red wedding dress, the head of the big red flower shy appearance, it is really impossible to look directly at.
Not to mention the groom next to her is Wang Xinjun, who is much younger than her, and Ren Qingan, who plays her father, is only a few years older than her. This group is a strange match for a 71-year-old daughter, a 53-year-old father and a 52-year-old son-in-law.
However, Liu Xiaoqing does not seem to be satisfied with "pretending to be tender" this time. In another play, "I have a Dream", she challenged the role of a pregnant girl.
Riding a bike to class in the heavy rain, Qi bangs braided with fresh dress, this picture is simply indescribable. It can only be said that Liu Xiaoqing's "Girl Dream" is getting more and more outrageous.
In fact, this is not the first time that Liu Xiaoqing has pretended to be tender. As early as in the Legend of Heroes of the Sui and Tang dynasties, she was controversial because she acted with Zheng Guolin in the last two rounds.
At that time, she had already been complained by netizens about her "mother hugging her son". Now if you look at her works, you can only say with emotion: the actress's sense of faith is really reflected in her incisively and vividly.
But then again, why is Liu Xiaoqing so persistent in pretending to be young? Some netizens speculated that this might be related to her "success in pretending to be young" at that time. Back then, the 43-year-old stunned everyone when she played the role of 15-year-old Wu Mei Niang in Wu Zetian.
At that time, although she was very different in age and role, she succeeded in shaping the role of Mei Niang, which was impressive. It is precisely because of her success this time that she found her own "maiden road" and kept going.
Wang Xihua: the Queen of Rural Drama and the Challenger of "reverse Age"
In the film and television circle, there is such a figure that seems to always be accompanied by fields, villages and smoke. She is Wang Xihua, the actress whose name is reminiscent of rural dramas.
It is not too much to say that she is a "professional household of rural drama". Just like the old locust tree at the entrance of our village, no matter the wind or rain, it always stands. Wang Xihua is like this, although the face is not top-notch, but the acting skills are solid, coupled with her never put on the airs of stars, the audience is naturally very good.
But then again, after so many years, Wang Xihua seems to have been trapped in the circle of rural dramas, and most of the roles are the same. When the audience mentioned her, the first thing that came to mind was the simple image of the village flower.
Time is a pig knife, in the twinkling of an eye, Wang Xihua is no longer that green village flower. Now she is 54 years old and has entered the age of "aunt at the entrance of the village". But this aunt is not willing to grow old, and she wants to continue to shine on the stage of rural dramas.
In fact, if she is willing to play some age-appropriate roles, such as those rural women with charm, she can definitely do well with her acting skills. But Wang Xihua doesn't think so. She also wants to challenge the role of a young girl.
This is not, in a play, she put on a light pink broken flower coat, tied up two braids, trying to act tender. To tell you the truth, this picture is really a bit "hot eye". But Wang Xihua doesn't seem to care about this, and her sense of belief is admirable.
In order to play the role of a young girl, she did not hesitate to add some affected movements and expressions. Although the audience frowned, she seemed to enjoy it.
In recent years, Wang Xihua has become fat and out of shape. But the eldest sister doesn't seem to care about these external things. Even if her figure has become "earthy and fat", she still dares to challenge the role of a young girl. This kind of courage and confidence is really admirable.
Dong Jie: from "Cold Autumn" to "playing the Young Queen", why didn't the audience give up?
Speaking of Dong Jie, the first thing that comes to mind must be the "cold autumn" as cold as autumn water. This role seems to be an unquenchable halo on her. Even though she and Pan Yueming staged a sensational "divorce war" with Pan Yueming, the resources were not as good as before, but every time a new work appeared, the audience could not help but support it.
After all, the filter of "cold autumn" is too thick to break.
Back in those days, Dong Jie played a rich character in "Ruyi's Royal Love in the Palace". Even if the character setting was inconsistent and thoughtful, the audience still praised her acting online. This may be the magic of the "Cold Autumn" filter, so that the audience has always maintained a tolerance and expectation of Dong Jie.
However, I do not know when, Dong Jie seems to have embarked on a road of "pretending to be young". In "the Wind and Clouds of Macao", she, who has already reached the age of 40 or 40, has become a student at school.
Striped shirt, student skirt, coupled with the lovely princess head, this pure student costume looks a little out of character on her body. In particular, the unshielded facial close-up, thin mouth skin, crow's feet, legal lines are clear at a glance, where is there any shadow of the students?
If the pretending to be tender in "Macao Fengyun" is just a small test, then Anjie, a young girl in "parents' Love", can be said to have completely freed herself.
Double ponytail, light blue princess fluffy skirt, this dress in any real girl will appear naive and lovely, but on Dong Jie is only full of sense of disobedience. Fa Ling Wen and the tiredness in her eyes made her act a little awkward and even made it difficult for people to get into the play.
Jiang Wenli: from stunning to "Girl", her acting skills still can't hide the traces of time.
Back then, Jiang Wenli's glimpse in Farewell my Concubine was like the brightest star in the sky, which fascinated the audience. At that time, her acting skills and beauty coexisted, and she was the goddess in the hearts of countless people.
However, time flies. The goddess of that year also entered middle age, but Jiang Wenli seemed to be dissatisfied with old age. In the previous year's "love of the corner," she and Ming Dao formed a pair of "100-year-old couples" and talked about sweet love. Although both of their acting skills are online, this combination still makes many viewers feel "spicy eyes."
In the play, Jiang Wenli wears pink clothes and a bow headband with the same color on her head, trying to create a sense of being a young girl. But no matter how you dress up, the traces left by the years are always difficult to hide. Whenever the camera zooms in, the folds on her face seem to tell the fact that she is no longer young.
What is even more unbearable is that the plot in the play is synonymous with "dog blood". Either peeking at the shower, or accidentally falling right into the man's arms. Such a scene made the audience shout "can't bear to look directly at it".
The most outrageous thing is that Jiang Wenli even called an actress "Mom" who was younger than herself in the play. Such a setting simply makes people laugh and cry, and people can't help but sigh: "it's outrageous for his mother to open the door. It's outrageous!"
In fact, this is not the first time Jiang Wenli has tried to pretend to be young. As early as in some previous works, she has begun to try this style. But at that time, she was not so "regardless of the life or death of others", at least there were some bottom lines in casting.
However, as she grows older, Jiang Wenli seems to be more and more committed to playing the role of youth. But unfortunately, no matter how hard she tries to dress up and perform, the traces left by the years are always difficult to eliminate. This result not only makes the audience feel disappointed and helpless, but also makes people question her acting skills.
As an excellent actress, Jiang Wenli should understand one truth: act at any age. Forcibly pretending to be young will only make the audience feel disgusted and uncomfortable. Instead of pretending to be young and thankless, you should calmly accept the changes in your age and appearance and choose the role and performance that suits you.
In the entertainment industry, there are many actresses who can calmly face the changes in their age and appearance. Instead of being complained by netizens about getting old and ugly, they have won the love and respect of more fans because of their calmness and self-confidence.
Actresses such as XXX and XXX are good examples. With their own actions, they have proved that accepting changes in their age and appearance is not a terrible thing, but a sign of elegance and self-confidence.
The same is true for Jiang Wenli. She should understand that although the years have taken away her youth and beauty, they have also given her more experience and charm. As long as she can calmly face the changes in her age and appearance, and choose a role and performance that suits her, I believe she can still make more brilliant achievements in her acting career.
